Jeweled Crescent - Multi-Compartment Serving Set
Jeweled Crescent - Multi-Compartment Serving Set
Handcrafted in Namangan, Uzbekistan
Crafted by Usta Dilshodjon
Namangan, Fergana Valley, Uzbekistan · 30+ years of mastery
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THE STORY
Nine colors, nine crescents. When you set this on the table, the table becomes the celebration.
Color moved along the Silk Road as cargo—ground lapis from Badakhshan for blue, cinnabar from the East for red, saffron for gold. The ceramic workshops of Namangan learned to coax these hues from local earth: copper oxide for turquoise and green, iron for coral warmth, manganese for deep purple.
This ten-piece ensemble spirals like a pinwheel, each crescent glazed in a single saturated tone: marigold, olive, crimson, burnt orange, eggplant, ruby, golden yellow, sage, and plum. Against each jewel ground, the same floral arabesque repeats—turquoise blooms, pink petals, cream scrollwork—but no two compartments are identical. The glaze pools differently on each curve. One crimson runs slightly darker at the edge. The yellow shows faint brushstrokes beneath its gloss.
At the center, a geometric medallion samples every color, anchoring the wheel together.
Each numbered and authenticated.
About the Artisan
Usta Dilshodjon
Namangan, Fergana Valley, Uzbekistan
30+ years of mastery
In Uzbek culture, how you welcome guests reveals who you are. The food you serve matters—but how you present it matters just as much. This is the tradition Usta Dilshodjon honors through his work. Working in Namangan, eastern Uzbekistan, Dilshodjon specializes in multi-compartment serving dishes—pieces that are both technically demanding and artistically stunning. These aren't just serving dishes; they're cultural statements. In Uzbekistan, sharing food is sacred. When guests arrive, you present them with a dastarkhan that demonstrates care, abundance, and respect. What collectors discover: these pieces are too beautiful to use only for serving. Many mount them on walls, display them year-round, let them bloom in their spaces permanently. This is functional art in its truest form—beautiful enough to display, functional enough to use.
"When you share food from a beautiful vessel, you share more than a meal. You share respect. Every piece I make is an invitation. It says: you are welcome here. Sit. Eat. Stay."
Your purchase directly supports Usta Dilshodjon's workshop and helps preserve ceramic traditions that have flourished along the Silk Road for over 800 years.
DETAILS & DIMENSIONS
DIMENSIONS
Diameter: 26cm (10.2 inches)
Height: 4cm (1.6 inches)
Weight: Approximately 650g
MATERIALS & TECHNIQUE
Material: Hand-thrown local Uzbek clay
Glaze: Multi-color underglaze palette
Firing: High-temperature kiln firing
Technique: Wheel-thrown, hand-painted, no stencils
EDITION
Limited to 30 pieces worldwide
Each piece individually numbered
Certificate of Authenticity included
DISPLAY
Wall-mounting hardware included
Plate stand available separately
Food safe (hand wash recommended)
CARE INSTRUCTIONS
Your piece is crafted for both display and gentle use. With proper care, it will last for generations.
DAILY CARE
Hand wash with mild soap and warm water. Dry immediately with a soft cloth. Avoid abrasive scrubbers or harsh chemicals.
IMPORTANT
– Not dishwasher safe
– Not microwave safe
– Avoid extreme temperature changes
FOR DISPLAY
Wall-mounting hardware included. Plate stand available separately. Rotate position occasionally for even light exposure.
SHIPPING & RETURNS
SHIPPING
Complimentary worldwide shipping on all orders.
– United States: 5-7 business days
– Canada & Europe: 7-10 business days
– Rest of World: 10-14 business days
Each piece ships in a museum-grade presentation box, fully insured. Signature required.
RETURNS
30-Day Unconditional Return — If this piece doesn't bring you joy, return it for a full refund. We'll arrange collection at no cost.
Lifetime Authenticity Guarantee — Certificate of Authenticity included with every piece.
Questions? hello@ustaandco.com

Where Blue Becomes Legend
The brilliant turquoise that defines Uzbek ceramics began on the domes of Samarkand. For centuries, artisans have drawn from the same traditions that adorned the Registan's arches and the sacred tiles of Shah-i-Zinda.