The Masters Behind the Craft
Three generations. Three traditions. One commitment to excellence.
In Uzbekistan, the title "Usta" is not given lightly. It means master — someone who has devoted decades to perfecting a single craft, who carries the knowledge of generations, and who shapes raw clay into objects that will outlive us all.
We work with three such masters. Each brings a different technique, a different tradition, a different piece of the Silk Road story. What unites them: an unwavering commitment to doing things the way they've always been done — slowly, by hand, with meaning.
Our Master Artisans
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Usta Ravshan Tojidinov
Meet Usta Ravshan →Master of the Legendary Ishkor Glaze
Rishtan, Fergana Valley
35+ years of mastery
For over three decades, Usta Ravshan has devoted his life to the legendary turquoise glaze that has defined Central Asian ceramics for 800 years. -
Usta Toxir Haydarov
Meet Usta Toxir →Master of the Raised-Dot Technique
Bukhara Tradition
40+ years of mastery
At 64, Usta Toxir has perfected a nearly extinct technique: thousands of individual dots placed by hand, each one requiring absolute precision. -
Usta Dilshodjon
Meet Usta Dilshodjon →Master of Multi-Compartment Vessels
Namangan, Fergana Valley
30+ years of mastery
Five generations of knowledge flow through Dilshodjon's hands as he creates functional sculptures for the ancient Uzbek tradition of ceremonial hospitality.
The Hands We Honor
A ceramic plate can be made in a factory in hours. Ours take weeks — sometimes months. The difference isn't just time. It's a choice about what kind of world we want to build.
Forty percent of every purchase goes directly to the artisan who made your piece. Not to middlemen. Not to us. To the hands that shaped the clay.
But money alone doesn't preserve a craft. So we do more. We fund kiln repairs when ancient equipment fails. We source increasingly rare materials — like the ishkor ash that creates Rishtan's legendary blue — so our masters never have to compromise their formulas. And we sponsor young apprentices learning at their side, because an 800-year tradition shouldn't end with this generation.
This isn't charity. It's partnership. Our artisans don't work for us — we work with them.